Embroidery can be understood as a form of interbeing: a relational system in which plant, technical skills, local environments and cultural imaginaries are interwoven.

I envision embroidery as a living ecosystem, one that reclaims time, gestures, and resources, and as a field of invention open to new narratives, forms, and connections.

My embroidery practice is rooted in a dual heritage: that of traditional gestures, Lunéville, goldwork, and that of a contemporary reflection on textile transformation, the memory of materials, and the significance of the gesture.

I approach embroidery as a regenerative and sensorial language: an act of care, recomposition, and gentle resistance.
Through collaborations with designers and costumers, I develop a practice that connects technical precision, creative exploration, and ecological awareness: working with dormant materials, repurposing offcuts and sequins, composing with found textures.


Each project is an opportunity to craft a textile language that is both sensitive and experimental, grounded in material storytelling and responsive to the context of creation.